There were even some younger children sitting atthe front, on the stone floor. Just before we were to start, we wereintroduced in five different languages; French, English, Spanish,German and Italian.Mrs Russell raised her hands and I was soon playing in my first liveconcert, on my first field trip away. I expected people to move away,but they didn't. Perhaps they needed a rest from all the walkingaround.When the applause from 'The Music from the Royal Fireworks' had dieddown, Mrs Russell turned round to the audience and said in Frenchfollowed by English, "The next piece can get rather loud, with somesudden bangs and we don't want any children to be frightened. It mightbe best for young children to be with their grownups."None of the children moved, in fact some of them giggled when MickeyMouse suddenly appeared, waving a conductors baton and took MrsRussell's place at the podium. What also was a shock was during the1812 Overture, the crowds grew. All the seats were gone when we. Susan and I just listened, and she beamed with pride to hear everyone talk about what we had done. I think it did her some good to hear the others tell it, because they were heaping a lot more of the credit on me than I would have ever thought was right.After lunch we all split up and went back to our own quarters to do those things families tend to do after an absence. Susan was quite insistent that I go straight to the bedroom when we arrived at ours.That afternoon I met up with Colonel Decker, but had him meet me at the Sheep Pen instead of his office. I hadn’t shown it to him yet and it was so much more comfortable, even if it wasn’t necessarily guaranteed to be private. If the place was too busy, I could always clear out the team room for us.Colonel Decker was surprised that not only had he not caught word of the place, but that we had managed to put together something like this.“This place is just great. Mind if I move my office here?” he joked.I showed him around, pointing out.
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